In Shot Forms, I manipulate wet gelatin silver fiber  prints (both exposed and unexposed) and let them harden into rigid structures. I then photograph these sculptures isolated on a black or white background, and print them on that same kind of gelatin silver paper, bringing them back into their original form. “Sculpting” a print underscores that a photograph is always inherently both object and image, and printing the image of that sculpture on the very material that it is made out of refers to this idiosyncratic nature. 


Bibliography Section Article Bibliography Section Catalog Bibliography Section Web Link PDF icon displayed by thumbnail Sold Dot